Vampires in the Lemon Grove

Vampires in the Lemon Grove

Audiobook CD - 2013
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In the collection's marvelous title story, two aging vampires in a sun-drenched Italian lemon grove find their hundred-year marriage tested when one of them develops a fear of flying. In "The Seagull Army Descends on Strong Beach, 1979," a dejected teenager discovers that the universe is communicating with him through talismanic objects left in a seagull's nest. "Proving Up" and "The Graveless Doll of Eric Mutis"--stories of children left to fend for themselves in dire predicaments--find Russell veering into more sinister territory, and ultimately crossing the line into full-scale horror. In "The New Veterans," a massage therapist working with a tattooed war veteran discovers she has the power to heal by manipulating the images on his body. In all, these wondrous new pieces display a young writer of superlative originality and invention coming into the full range and scale of her powers.
Publisher: [Westminister, MD] : Books on Tape, p2013
Edition: Unabridged
ISBN: 9780385367462
0385367465
Branch Call Number: COM Unabridged S Fiction
Characteristics: 8 sound discs (554 min.) : digital ; 4 3/4 in

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s
spiderfelt_0
May 23, 2017

If someone attempted to line up all the different kind of monsters in order to write an abecedary of loneliness, they could no better than to start right here with Karen Russell's odd lot of characters. Despite disliking Swamplandia, I decided to give Russell another read after hearing her interviewed on stage recently. She is clearly a brilliant writer who has peculiar insight into the darker recesses of the mind. Expect the unexpected.

o
oliviapham
Aug 30, 2016

Karen Russell has won a MacArthur genius grant and it is clear why. Each of her stories is a trip to a wonderful, wacky world. Only complaint is she never quite ends them as well as she begins and continues them.

a
anthonybencivengo
Sep 29, 2013

Karen Russell is really a writer to watch. The worlds she imagines are fantastical and unique while still being very recognizable. Her characters are strange without losing their relateability. And she expertly blends humor, pathos and even horror to create stories that will leave you deeply moved, tensely spellbound and maybe even still chuckling long after the last page is turned.

AnneDromeda May 27, 2013

I am going to admit something you mustn’t tell a soul. I was a *Twilight* addict. And an Anne Rice addict. To be honest, the problem extends to any other night-bumping creature of mystery ever to grace print. As a lit major-turned-librarian, this was always a source of embarrassment to me. Why couldn’t I love something more literary? Why didn’t *War and Peace* keep me up all night like Edward and Bella? Woe and shame, fellow readers. Woe and shame.

As a result, I tend to feel personally vindicated whenever a truly literary book comes out that features the fanged, the undead, the bizarre, or the monstrous. Enter Karen Russell’s *Vampires in the Lemon Grove.*

This collection of short stories opens with the hauntingly eerie tale which gives the collection its name, a love story of two vampires who learn to survive on juice from the exquisite lemons produced in a particular artisanal Italian grove. Far from being a romantic adventure tale of sparkly vampires who learn to overcome their monstrous natures and live among people, these vampires struggle greatly with their terrible urges. Most unsettlingly, their most terrifying urges seem to come from the human parts of themselves.

The confusion between the human and the monstrous continues. As the book progresses, the tales grow darker; by the end of the book the supernatural elements only serve to highlight the weirdness and unspeakable horrors lurking in the human condition. It reminds one that monster’s etymological root comes from a Latin word meaning “to show.” While monsters are often called to service in fiction to illuminate elements of human nature considered unspeakable in polite company, seldom has it been done so elegantly, and so chillingly. Russell’s language is sonorously wrought and full of wry humour – worth reading aloud to someone at bedtime, if you happen to have a connoisseur of the demented willing to listen. *Vampires in the Lemon Grove* is recommended reading to fans of the darker elements of David Sedaris’ work, or to anyone else craving a more literary monster.

ChristchurchLib Mar 18, 2013

Do you like creatively weird, imaginatively surreal stories that mix psychological insight with dry humour and are populated by daringly inventive characters (centuries-old vampires who suffer all-too-human woes, a former U.S. president reincarnated as a horse, a soldier whose tattoos...well, we won't ruin it for you)? Then you'll be right at home with award-winning author Karen Russell's latest short story collection, which mixes whimsy and horror in a unique and engaging manner. Fans of George Saunders will want to give Russell a try.

Fiction A to Z newsletter March 2013.

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AnneDromeda May 27, 2013

I am going to admit something you mustn’t tell a soul. I was a *Twilight* addict. And an Anne Rice addict. To be honest, the problem extends to any other night-bumping creature of mystery ever to grace print. As a lit major-turned-librarian, this was always a source of embarrassment to me. Why couldn’t I love something more literary? Why didn’t *War and Peace* keep me up all night like Edward and Bella? Woe and shame, fellow readers. Woe and shame. As a result, I tend to feel personally vindicated whenever a truly literary book comes out that features the fanged, the undead, the bizarre, or the monstrous. Enter Karen Russell’s *Vampires in the Lemon Grove.* This collection of short stories opens with the hauntingly eerie tale which gives the collection its name, a love story of two vampires who learn to survive on juice from the exquisite lemons produced in a particular artisanal Italian grove. Far from being a romantic adventure tale of sparkly vampires who learn to overcome their monstrous natures and live among people, these vampires struggle greatly with their terrible urges. Most unsettlingly, their most terrifying urges seem to come from the human parts of themselves. The confusion between the human and the monstrous continues. As the book progresses, the tales grow darker; by the end of the book the supernatural elements only serve to highlight the weirdness and unspeakable horrors lurking in the human condition. It reminds one that monster’s etymological root comes from a Latin word meaning “to show.” While monsters are often called to service in fiction to illuminate elements of human nature considered unspeakable in polite company, seldom has it been done so elegantly, and so chillingly. Russell’s language is sonorously wrought and full of wry humour – worth reading aloud to someone at bedtime, if you happen to have a connoisseur of the demented willing to listen. *Vampires in the Lemon Grove* is recommended reading to fans of the darker elements of David Sedaris’ work, or to anyone else craving a more literary monster.

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